you can find color filters at a photo supply store they would work perfectly but the uv rays put off by youre halide would bleach the filter so youd have to replace it often and there not that cheap i was considering this option myself but decided against it.why would you want to color correct a 6500 k lamp its already the right spectrum just add actinics hte reason i was considering it was to use 4500k bulbs (cheap) and color correct to 10000k rosco makes color correction gels check it outsorry i dont know how to make the blue link thingie)
http:stagelighting.com/rosco.html//www.



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sorry i dont know how to make the blue link thingie)
The rationale behind filtering the bulbs is to try and replicate the color temp of a 10KK or 20KK bulb, while keeping the high intensity of the Iwasaki bulb (I'm doing an SPS pigment experiment, is there a causal relationship with light spectrum and SPS colors?). Growth I can get with the Iwasakis. Spectacular pigments brought about by using 10KK, 12KK and 20KK bulbs, I can't. Although I am quite aware of the reduction of output due to the filters, it is my understanding that even with the filtered Iwasaki's output, its PAR emission would still be higher than of said bulbs. Having used 6500K Iwasakis for almost 7 years now, I am aware of what they can do and what results I can expect, but have never had the desire to use Ushio/Aqualine/Hamilton 10KK's or Radium/Osram 20KK's due to their inferior light output. This is my way to try to experience the best of both worlds. In short, my goal is to have intense "blue" lights.


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